Nikolai Khodataev (born 120 years ago on May 9, 1892) presumably started shooting this avant-garde piece to be included in Aelita, another innovative film by Yakov Protazanov (1924) based on Alexei Tolstoy’s novel.
However, later it was completed as an independent piece. The early 1920s was the time of booming avant-garde art in the Soviet Union, not only in the film (Eisenstein’s The Strike an Battleship Potemkin, Dziga Vertov’s Kinoeye), but also visual art (Vladimir Tatlin, Lazar (El) Lissitzky), photography and design (Alexander Rodchenko). Many constructivist and futurist artists strongly supported the Bolsheviks considering themselves artistic revolutionaries. The plot reflects expectations of the unavoidable revolutions around the world. Having overcome class enemies on Earth, the Soviet champion flies to Mars to spark an interplanetary revolution.
No capitalist could survive the Bolshevik warrior springing out of his mirror.
Khodataev employed cutout stop motion technique combining photographic and hand drawn backgrounds. He was one of the first Soviet animation directors who helped to establish this industry and produced over a dozen animated propaganda films until the mid-1930s when he switched to painting and sculpting.
Interplanetary Revolution (Межпланетная революция, 1924)
Silent, with English subtitles